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レイ・ブラッドベリとSF小説と学術論文

卒業式スピーチで "Read obituaries." というアドバイスを送ったのは、Charles Wheelanだが、先週、SF作家のRay Bradburyが91歳で亡くなり、新聞雑誌各紙で大きく取り上げられた。しかし、アイザック・アシモフや、アーサー・C・クラーク等と並ぶSF作家なのに、僕は今までなぜ読む機会がなかったのだろうか?

華氏451度 (ハヤカワ文庫SF) 火星年代記 (ハヤカワ文庫SF)

その彼の代表作『華氏451度』は、“It was a pleasure to burn.” という強烈な一文で幕を開け、現在も米国の多くの高校で課題図書となっているそうだ。日本語訳では「火の色は愉しかった。」という書き出しなのか、なるほど。各紙の訃報記事を読み比べてみたが、とくに印象深かったのが、New York Times が、ブラッドベリと小説のアイデアについて語った次の箇所。

Mr. Bradbury referred to himself as an “idea writer,” by which he meant something quite different from erudite or scholarly. “I have fun with ideas; I play with them,” he said. “ I’m not a serious person, and I don’t like serious people. I don’t see myself as a philosopher. That’s awfully boring.” He added, “My goal is to entertain myself and others.”



この "I have fun with ideas; I play with them" についてもう少し詳しく語っているのが以下の講演。こちらのサイトで12点の助言としてサマライズされているが、「小説を書くということ」というのは、意外と「学術論文を書くということ」と共通することも多いのではないだろうか。





1. Don’t start out writing novels. They take too long. Begin your writing life instead by cranking out “a hell of a lot of short stories,” as many as one per week. Take a year to do it; he claims that it simply isn’t possible to write 52 bad short stories in a row. He waited until the age of 30 to write his first novel, Fahrenheit 451. “Worth waiting for, huh?”

2. You may love ‘em, but you can’t be ‘em. Bear that in mind when you inevitably attempt, consciously or unconsciously, to imitate your favorite writers, just as he imitated H.G. Wells, Jules Verne, Arthur Conan Doyle, and L. Frank Baum.

3. Examine “quality” short stories. He suggests Roald Dahl, Guy de Maupassant, and the lesser-known Nigel Kneale and John Collier. Anything in the New Yorker today doesn’t make his cut, since he finds that their stories have “no metaphor.”

4. Stuff your head. To accumulate the intellectual building blocks of these metaphors, he suggests a course of bedtime reading: one short story, one poem (but Pope, Shakespeare, and Frost, not modern “crap”), and one essay. These essays should come from a diversity of fields, including archaeology, zoology, biology, philosophy, politics, and literature. “At the end of a thousand nights,” so he sums it up, “Jesus God, you’ll be full of stuff!”

5. Get rid of friends who don’t believe in you. Do they make fun of your writerly ambitions? He suggests calling them up to “fire them” without delay.

6. Live in the library. Don’t live in your “goddamn computers.” He may not have gone to college, but his insatiable reading habits allowed him to “graduate from the library” at age 28.

7. Fall in love with movies. Preferably old ones.

8. Write with joy. In his mind, “writing is not a serious business.” If a story starts to feel like work, scrap it and start one that doesn’t. “I want you to envy me my joy,” he tells his audience.

9. Don’t plan on making money. He and his wife, who “took a vow of poverty” to marry him, hit 37 before they could afford a car (and he still never got around to picking up a license).

10. List ten things you love, and ten things you hate. Then write about the former, and “kill” the later ― also by writing about them. Do the same with your fears.

11. Just type any old thing that comes into your head. He recommends “word association” to break down any creative blockages, since “you don’t know what’s in you until you test it.”

12. Remember, with writing, what you’re looking for is just one person to come up and tell you, “I love you for what you do.” Or, failing that, you’re looking for someone to come up and tell you, “You’re not nuts like people say.”






2012/06/11(月) | Books | トラックバック(0) | コメント(0)

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